And if...

There is more. What exactly does more mean? Another langscape? Another landguage? It is nature to look at the fescue on the other side of the divide and wonder at its marvelous greeness, luscious velosity. But it is movement that is at issue, or rather displacement.

Roberto dell Griva sits by the gunwale of the shipwrecked vessel. He ponders the idea that what he sees before him is yesterday. When he sees a bird flying there, he knows it is not there now. He can't swim. He knows that if he dives off the ship and swims toward the island, he will be swimming towards the day before. But, as mentioned, he cannot swim. Is this what it means to consider the verdosity of the fescue outside the limits of the enclosure? Of course it is. Get over it.

Row roe rue your boat

Gentily down the strain
Me really
Me really
Lie fizz jest and dream








Language is a party, one where all the guests are dressed in their finest and the ones who are not are considered to have accents. The cut-up as a social contract; simply take an experience and split it into random components and then re- organise them while keeping track of everything going on in that time-space. The result will round out the empty bits.









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Location:Premier Dr,Corner Brook,Canada

Showoff

A pic of NOW.






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Mini teenie weenie

How small is small is all relative to the how big is big. At some point atoms and galaxies kind of act the same way.





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Location:Central St,Bay Roberts,Canada

Idle

And so it is, we move we displace we saunter, but all in all we are idle. Standing in front of what is behind, just so. To suggest there is something behind confirms that there is something ahead. Spacial [special] theorem of the day, time as space would also fit into this. No? I'll have the theorem special #4, it comes with egg rolls.




Retouching scanned negatives, tiz the summer for that it appears. The results are outstanding but questions remain. As the retouching process continues, the idea of "cleaning up" the images is always there. At what point does the removal of spots and dust become a removal of the artifacts that make an analogue photograph what it is. The decision tomake is what artifacts to keep and which to make disappear and at what point will the photograph become a capture?


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Location:Central Street,Bay Roberts,Canada

The sky is falling and I don't have an anti-gravity ray.

The weather has been rather unfriendly of late. I am not a fan of talking about the weather but it usually supplies one with an opening to some kind of conversation.

On est ici, ou bien là, ou encore entre les deux. La mouvance se produit toujours en deux sites simultanément. Intérieur et Extérieur. C'est simultané car l'un va inévitablement produire un effet sur l'autre. L'attirance vers le déplacement lent, utilisant le principe de la friction maximale, permet l'absorption des détails et des fréquences localisées. L'ouverture maximale aux synchronicités s'établi et les filtres quotidiens se trouvent bloqués.






L'idée d'être dans le moment peut très bien se traduire de l'espace temps au temps espace. Le temps étant une chose qui s'oppose à la durée peut exister comme lieu.




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Location:Central St,Bay Roberts,Canada

C.B. Day 1 (a Deleuze moment)

Interesting Drive.

I really do think that automobiles were just the wrong way to go.

Including myself, there were way too many single occupant vehicles on that f#€¥*% highway today. Roads were damp, at times wet, mostly needing some kind of attention.

Content de me retrouver avec quelques journées de temps à dévouer au travail de studio. Ce n'est pas un boulot très facile que d'essayer un peu de faire accroire qu'on sait de ce que l'on parle. I read Deleuze Deleuze like that, his most brilliant observations happen when he obviously does not have a clue of where he is going.

[I was listening to Nora Young today on Spark, and for the third time listened to the show on McLuhan's B'day, and was just set to thinking about parallels in his and "the big D"'s work. I am presently listening to The Residents first release, "Meet The Residents"; which is, by the way, a necessity in anyone's record collection. Anyway, I am always surprised at this uniquely Canadian way of trying to eek out our legends. If there is possibly something singularly and hopelessly Canadian about us...]GED

[sorry.... Got to the end of the LP] BRB

... this obsession with trying to figure out what the sweet jelly roll is a Nuk ( veiled reference to "The Infinite Jest", a must for any SPARK's listener's reading list... but don't bother if you are a stuffed up academic with only a performance art enabled enthusiasm for humour; it jest won't werk.





A good, outside the box reading of Mille Plateaux, in French preferably; Brian Massumi wrote a really excellent translation of, it but it ain't french so one must allow for meanderings.












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Location:Premier Dr,Corner Brook,Canada

Touch re:touch

I am in the process of scanning and post-processing 4x5 negatives from a photographic survey of Fish Plants in Western Newfoundland. I have been photographing several sites over the past 4 years and have amassed a huge pile of images. There was a problem with a good portion of the negative stock I was using resulting in pin holes and other artifacts that forced a reconsideration of how things were going to be printed in order to preserve consistency and quality.




After much experimenting, a way was found to scan the negatives using a fluid mount system on the Epson 750. If one is careful to turn off most of the "correction" tools like automatic level and curve adjustments or scratch and grain correction, it is possible to get a scan that accurately reproduces the original negative. This will allow to process the image, make necessary adjustments and corrections while staying in control of the process and produce an image that will retain many of the qualities of the silver printing process.

Wen I return to the studio, I will begin posting some of these images to the Fish Plant blog and the CURRA website. I am still betwixt and between about how to present to work in these formats without, inasmuch, reducing the impact of "unveiling" the work in an exhibition context; it is necessary to control this kind of output so that the show can have some air of freshness when it is finally put together.







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Location:Newfoundland and Labrador 70,Bay Roberts,Canada

Informatric-e-s

Coincidence, synchronicity is there any better muse.



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Location:Newfoundland and Labrador 70,Bay Roberts,Canada

Long now and long here.

La surface, la face de tout, la face au-dessus de tout. Pas le visage, ça, c'est tout autre chose nécessairement. Quand on s'y arrête un peu, on peut voir le temps et la surface qui se touchent, ou bien même se croisent. Ce sont ces moments où la texture des choses, investissements psychiques, réussis à susciter le ralentissement de la perception horaire. Le temps devient une chose, un objet avec ni passée, ni future, et aucune notion du présent.




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Location:Newfoundland and Labrador 70,Bay Roberts,Canada

'Nuff Said

Journée du patriote .









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Location:Newfoundland and Labrador 70,Bay Roberts,Canada

Construction Time Again

An eighties moment, a Dépêche Mode song... the state of things on the provincial highways. There is an intersection between the time people are on the roads and the time that the roads are being repaired. This cannot be avoided but stands as a veritable perfect metaphor for the infamous double bind. Damned if you do, fucked if you don't. It is not entirely unpleasant, it is not necessary to move at the speed of light. If one let's the light pass, it will show you things, most interesting and wondrous things.

Photography is movement at the speed of light, or as close as we can get at the with present technology. It will freeze an instant, a moment, a thought or a musing in a still, forever to be examined, space where time has been arrested for vagrancy. But at the same time, as Penny Cousineau so astutely observed, it is death. It kills time for the benefit of art and seeing. It creates a boundary between mortality and insignificance.

Insignificance.

Sounds like such a big word.

And yet it means nothing.







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Location:Fitzgeralds Rd,Spaniard's Bay,Canada

Baie des Robert

Today we drove across the island, the drive seemed longer than usual. Not that many construction sites, not too much traffic but it just seemed to take forever. But we are in Bay Roberts now.

A quick idea, on the way back from BR photograph the back of every transport truck I get stuck behind for more than 1 minute. The project will be called: "647 km, every truck I got stuck behind".


At first thought, I would like to photographs tone square, perhaps black and white. I will have to decide whether I shoot with the point and shoot or the DSLR. I am thinking that shooting while driving could be better done with the point and shoot.







- Posted from GEDEON XXIII

Location:Central St,Bay Roberts,Canada

To the east old man

On our way to Bay Roberts, with the obligatory stops on the way. There is something with traveling more slowly. In the past couple of years I have been moving around by airplane quite often, more than ever in my life actually.

There is a pleasure in air travel, the sensation of lifting off the ground always brings a smile to my face. Once in the air though, and this is odd, it seems like space collapses around me; suddenly the bubble of personal space is threatened.

I often think about a passage in Alessandro Baricco's "Cette histoire là", describing the landscape from a moving train at the beginning of the century. The notion of moving as fast as the landscape is is fascinating. As if there is a maximum speed that the land can allow us to occupy for any length of time. The streaks of green, blue, white, brown, grey, beige have a value of speed.


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Location:Division No. 5, Subd. F,Canada

Test

Testing the blogger post from iPad



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Location:Corner Brook,Canada

The Wringing in Your Ear

The Wringing in Your Ear from Pierre LeBlanc on Vimeo.